I have been waiting for several months for the latest revision to perk a bit on the back burner before jumping back in.
Just before I turned in my manuscript for the SCBWI conference critiques, it hit me. I had it all wrong.
When my husband goes fishing, he has the presence of mind to gut the fish and chop off the head before he tosses the fish into the cooler. He knows how I feel about fish. I like them fried, broiled, sautéed, but never ever with the head on.
Readers like their books the same way. Appetizing, without a stinky dried up piece of inedible flesh hanging about on their plate.
Writers often have to know so much more than readers need or want to know about what is going on in the background. Writers need that background noise to give us insight into characters motivations and history. When I write my initial drafts, there is so much extra information on the page that the book is often twice as long as it needs to be. (Still trying to figure out a more efficient way of figuring it all out!) Thus, writers often need to prune their manuscripts before it goes to agent, editor, and reader.
I was fortunate enough to get into a novel revision workshop a month before the deadline for my seven minutes of fame with a hot agent. I took my recently completed middle grade novel featuring a young girl who lives for horses. (Sound like anyone you know?) The workshop went like this. We were teamed up with three other writers. We sent out manucripts to each of the other three writers and they did a detailed critique. My results? All three people who read my manuscript picked the eighth chapter as the first strong chapter. That meant the opening of the book contained seven weak chapters in a row. Ouch!
Not all that many readers are going to stick it through to the eighth chapter just on the off chance that the book will get interesting . . . eventually. So I started reading the book at the first strong chapter, Chapter Eight. The story still made sense and moved quickly…yes there were some key things missing, but it was clear what had to be done.
Fish Head. Whack. First six chapters hit the NotUsedMaterial.doc file. Voila.
I reworked the first page of the Chapter Seven, aka new Chapter One, smoothed the rest of it a bit, then sent it in and began to work on another project. After all it would be another two months before I got to sit down and listen to the notes the agent had for me on the piece.
Of course I spent some of that time worrying. Had I cut it too close to the action? Six chapter off the front of a manuscript is an awful lot of material to cut. Would the characters and their relationships still be understandable?
Evidently yes, because when I sat down with my critiquer, she said it read well. Not well enough that she wanted to rep it, but she did give me loads of great notes to work from, but all in all a much more positive outlook from this than I got last year.
So now all I have to do is rewrite the rest of the story so that it 1) fills enough pages to actually be a book and 2) keep it exciting and satisfying enough that someone will want to read it all the way through.