The Great Divide

I am in the middle of several big life changes. Some of these are welcome — and expected. Some are neither. I am going from Mother of Dependent Children to Mother of Adult Children. (Our youngest just graduated from college.) My husband has actually uttered the word ‘retirement’, so I might be transitioning from Self-Employed Writer At Home Alone to Writer Looking for a Quiet Place to Work. Our parents are getting older (and wiser) as we creep across middle age and I have to recognize one day (May it be far, far away!) I will be one rung closer to being The Matriarch.

 

Some days it’s easier to think about my own personal life transitions than to craft a good transition from one scene to another, or even to wake up my character in the morning.

 

However, to make it all the way through a manuscript, one must segue from beginning hook through the muddled middle to satisfying end. Writing transitions can take several forms. If you are looking for transitional words or phrases, here’s a great site with helpful hints on that topic. I’m talking about transitioning between scenes.

 

The Shuffle:

“Doran needed some caffeine in the worst possible way. There was no way she would be able to face the meeting that morning without some stiff fortification. She tossed back the covers, threw her feet over the edge of the bed and managed to stand on both feet. She glared in the general direction of the kitchen, wishing for the first time that she had someone living with her who would start the pot brewing rather than having to do it herself. Stumbling into the shower, she braced one hand on the wall and turned on the hot water. The alarm went off again before the hot water even began spouting, so Doran steeled herself and stepped under the needle sharp spray of the cold water.

Doran continued stumbling to her closet, then her car, then into the office…yadayadayada…”

OK, you get the idea. I needed to wake Doran up and get her out the door to that important early meeting. My prose met her (Or was it my?) lack of mental acuity and hit shuffle mode pretty quick, getting nowhere fast. Some days it’s the hardest thing to get your character across the room without becoming a complete bore.

Since the purpose of this scene was to wake Doran up and get her ready for that all important meeting, The Shuffle slowed us down–– not putting us in the middle of the action.

Here are two other ways that work better.

Full Steam Ahead:

“Van Morrison was all about Crazy Love when Doran’s fingers finally slammed the off button on her clock radio. She squinted at the digital readout, trying to figure out why she’d set the alarm for five a.m.

“Botheration!” she exclaimed, throwing back the covers and vaulting out of bed. She shed clothes on the way to the shower, where she stepped in, scrubbed down, and shut off the water long before the water had warmed to a human temperature.

Ten minutes later, briefcase in hand, Doran pulled the door closed behind her.

Twisting the key in the ignition, she focused in on the clock on the dashboard. She breathed a sigh of relief as she backed out of the garage. She’d have enough time to hit the coffee shop drive-through and still make it to the meeting on time.”

Don’t you agree that this one works so much better than the first?

Dead Halt:

“Putting her head down, Doran closed her eyes.

*

*

The next morning Doran arrived at the meeting on time, even if it Fred called it for such an unholy hour of the morning. The good thing about only having enough time for a cold shower before she arrived was that she was awake enough to take on the questions she knew were coming.”

This transition is a complete blank in the middle. I stop with one set of actions and the next set are clearly happening in another place or time. I left off the part about her getting up because then I could move right into the action in the meeting. With this kind of transition, you use a series of hard returns in the middle to show the reader that Time Has Passed. (I used stars in place of the hard return so that you could tell that I meant to do that…)

 

If anyone has another favorite way to move their characters through the empty space between scenes, share!

 

Happy Writing.